Showing posts with label Patti LaBelle. Show all posts
Showing posts with label Patti LaBelle. Show all posts

Tuesday, March 1, 2011

I'm Not Perfect; but MORE Perfect Than YOU!!!!

HEREEEEEEEE"S GRACE!!!!



by Leah Greenblatt





Lady Gaga may adore cult pop icon Grace Jones, but Ms. Jones won’t picking up her t-t-telephone calls any time soon.





The 61-year-old Jamaican-born model/actress/fashion radical, best known as a club performer, Warhol muse, Bond girl, hair maverick, and all-around fabu freakshow, was recently asked by London’s Guardian newspaper what she thought of the world’s current preeminent mistress of carcinogenic eyewear. Jones’ reply? “I really don’t think of her at all. I go about my business … I wouldn’t go to see her.”

And would they ever work together? “She did [ask], but I said no. I’d just prefer to work with someone who is more original and someone who is not copying me, actually.”

Mild-ish words, actually, from the woman who gave the world Strangé—and one wonders why she doesn’t call out her other obvious acolyte, Rihanna—but she can hardly be blamed for drawing the comparison.





As stated on The Future on February 5, 2010, Gaga’s genealogy has never been much of a mystery: She is unabashedly built from the DNA of many stars who came before her—including but not limited to Madonna, David Bowie, Roisin Murphy, Prince, Cher, Labelle, Freddie Mercury and of course the original cult-of-personality maestro himself, Mr. Warhol.

Like the recent M.I.A.-chugs-the-Lady-haterade episode, this one will surely be met by Gaga loyalists‘ insistence that the Lady is, like, ten billion times more amazeballs than Jones, who is just too jealous/old/All About Eve-ish to acknowledge her younger and more commercially successful rival.

If they do, they may be touching on some truth (sometimes, Strangé get cranké), but they’re missing the larger point: Gaga, definitively, could not exist without Jones, Madge, and Mercury, and she seems very much aware of that. In fact, she acknowledges them ad nauseum in her album liner notes and interviews and in, basically, the way she lives her outsized life-as-performance-art existence (bedazzled face crustaceans for brunch! Personal head planetarium for Ellen!) every day—if not in the fairly straightforward and markedly commercial (much more, at least, than Grace’s ever were) pop songs that anchor it all. I AGREE and I am the BIGGEST GRACE JONES FAN AROUND!!! Lil Mogul...





If progenitors like Jones are sometimes a little bothered that Gaga sails so easily down the far-out road they paved—and with a much fatter wallet tucked in her triangle pants—is that jealousy, or just humanity? I call it LIFE!!!



Tuesday, September 14, 2010

Patti LaBelle on Broadway in FELA!





Following two sneak peek performances Sept. 8-9, Grammy Award winner Patti LaBelle officially steps into the role of Fela's mother, Funmilayo Anikulapo-Kuti, in Broadway's Fela! Sept. 14. LaBelle succeeds Tony winner Lillias White, who played her final performance Sept. 12. The acclaimed singer will stay with the production through its closing on Jan. 2, 2011.





"After seeing the show, I was struck by the choreography and work of Bill T. Jones, and the passion and joy that overflows from the stage," LaBelle said in a previous statement. "Fela's mother, Funmilayo, was a strong, truly inspiring woman, and I am so privileged to be able to pay tribute to her on the Broadway stage."





LaBelle — who played Matron Mama Morton for a limited run in a Los Angeles stint of Chicago — is known for her Grammy Award-winning rhythm and blues songs, which include "On My Own" and "New Attitude." The one-time lead member of the group Labelle also sang on the group's biggest hit "Lady Marmalade." The singer has appeared on Broadway in three self-titled concerts and appeared in the 1982 revival of Your Arms Too Short to Box With God.





Fela!, the new musical based on the life and music of groundbreaking African composer, plays the Eugene O'Neill Theatre. After an acclaimed run Off-Broadway in 2008, Fela! began previews on Broadway Oct. 19, 2009. Sahr Ngaujah, who headlined the Off-Broadway premiere, alternates in the role of the late African musical figure, with Kevin Mambo (Ruined).









Tony-winning Spring Awakening choreographer Bill T. Jones directs and choreographs the production that features a book by Jones and Jim Lewis and utilizes Anikulapo-Kuti's own music. Lewis, a Tony nominee for Chronicle of a Death Foretold, also penned additional lyrics. The musical was conceived by Bill T. Jones, Jim Lewis and Stephen Hendel. The production incorporates the Afrobeat orchestra Antibalas and other members of the NYC Afrobeat community, under the direction of Aaron Johnson, who perform Kuti's music live onstage.

In Fela!, according to production notes, "audiences are welcomed into the extravagant, decadent and rebellious world of Afrobeat legend Fela Anikulapo Kuti. Using his pioneering music (a blend of jazz, funk and African rhythm and harmonies), [the musical] explores Kuti's controversial life as artist, political activist and revolutionary musician."





The design team includes scenic and costume designer Marina Draghici, lighting designer Rob Wierzel, sound designer Rob Kaplowitz and projection designer Peter Nigrini. Aaron Johnson and Jordan McLean will provide musical arrangements. The musical, which earned the 2008 Lucille Lortel honor for Best Musical, played an acclaimed engagement at the now-closed 37 Arts in 2008. 37 Arts was also the birthplace of the Tony-winning musical In the Heights.





Fela! is produced by Shawn "Jay-Z" Carter, Will & Jada Pinkett Smith, Ruth & Stephen Hendel, Roy Gabay, Edward Tyler Nahem, Slava Smolokowski, Chip Meyrelles/Ken Greiner, Steve Semlitz/Cathy Glazer, Daryl Roth/True Love Productions, Knitting Factory Entertainment and Susan Dietz. In association with Ahmir "?uestlove" Thompson. Fela! won three 2010 Tony Awards: Best Costume Design, Best Sound Design and Best Choreography. Visit FelaonBroadway.com.

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