Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts

Monday, June 6, 2011

Rihanna's 'Man Down' Video: Experts Weigh In On Controversy


By Gil Kaufman

Like any good piece of art, Rihanna's controversial "Man Down" video has elicited a wide variety of opinions, running the gamut from condemnation for its bloodshed to praise for its attempt to grapple with the complex issue of violence against women

"It strikes me first and foremost that she is working out personal issues through her art," said Terry O'Neill, national president of the National Organization for Women, who lauded the singer's talent and stressed that she did not find the video exploitive at all.

A number of groups slammed the clip after its premiere, taking issue with the opening scene, in which a hidden Rihanna is shown shooting an unarmed man in the back of the head in the middle of a crowded train station. Viewers later learn that the act was in retaliation for a previous sexual assault.

" 'Man Down' is an inexcusable, shock-only, shoot-and-kill theme song," said Industry Ears co-founder Paul Porter, a former programming director at BET, where the video debuted earlier this week and remains in rotation.



But O'Neill said that like Rihanna's collaboration with Eminem on the "Love the Way You Lie" video — which also tackled issues of domestic abuse — "Man Down" is another example of Rihanna "trying to grapple with the multifaceted nature of violence against women as an artist. Obviously violence is not the way to solve anything and both videos depict violence. In one, it's a man who feels justified in committing violence against a woman and in the other a woman who feels instantly very remorseful in her killing." For O'Neill, "Man Down" does not cross the line into portraying violence in an effort to titillate.

"One of the main messages it leaves you with is violence breeds more violence and everyone can see that and also detect some problems with that," said Stephanie Nilva, Executive Director of Day One, New York's leading teen relationship abuse-focused organization. "I respect the fact that Rihanna is trying to draw attention to these issues, but I don't think viewers are necessarily getting healthy messages from it."

Another concern for Nilva, given the implied sexual abuse in the clip, is the underlying impression that young women who dress a certain way or go dancing in clubs are naive or should feel at risk. That too, she said, sends a muddled message about sexual assault. "What it doesn't do is open up a discussion about how men's violence is frequently about controlling women and not about violence they've experienced at that person's hands," she said.

After posting a defense of the clip, Rihanna got plenty of support from her fans on Twitter, where the comments included such sentiments as "it's really ironic how women r always exploited n videos ... we watch women be raped & murdered. Now a woman flips the coin & look!"

Another fan wrote, "You opened the eyes of all women living under a dark cloud that needed a voice. 'Man Down' is the voice. I love you." Others called it "inspiring" and praised Rihanna for tackling the issue of sexual abuse, writing, " 'Man Down' video portrays REAL situations that can happen to ANYONE! Do yoo thing ri!" Rihanna also pleaded with her fans to stop making threats against members of the PTC, writing, "We love it, they don't ... that is all, and the world keeps turning."

Given the message of empowerment some of Rihanna's fans appear to have taken from the video, Nilva noted that one of the messages Day One imparts to young people is that violence is never appropriate. "I wouldn't say that perpetrating violence against someone is a form of empowerment, just like you wouldn't say a man raping a woman is a form of empowerment," she said. "It's a complicated message to get young people to absorb that — what it means to be an empowered person — and it would be nice to see more images of strength that are not about exercising violence or power over other people."

As a survivor of relationship violence at the hands of her ex, Chris Brown, Nilva said the singer is clearly under the microscope when it comes to this topic. But given that people are likely to pay more attention to what she has to say about it because of her fame and the notoriety surrounding Brown's 2009 assault, Nilva said it would be preferable to see a more positive message from Rihanna on the topic.

O'Neill said she's confident that Rihanna's fans will understand the message of the clip because any woman who has experienced violence from a partner or acquaintance knows that among the emotions you feel in addition to anger and rage are humiliation and fear and a desire for revenge.

"Many women who have experienced violence, of course, have those feelings and this video seems to be a fictional portrayal of those feelings and is not intended to be instructional," O'Neill said, calling it a kind of catharsis for viewers. "The other aspect that is part of the message is the fact that if you act on your desire to kill this rapist, you will then throw yourself down the rabbit hole of remorse and criminal accountability and be sent to prison. There are repercussions and the video clearly says that."

At press time, MTV's Facebook poll asking whether the video goes too far had the "no" votes leading the "yes" votes by a margin of three-to-one.

Do you think Rihanna's "Man Down" video goes too far? Cast your vote in our Facebook poll and share your thoughts in the comments below.

Monday, May 9, 2011

"Hail to McQueen!" Alexander McQueen: Savage Beauty at The MET


Last week I received and e-mail from my big brother Troy. I was so moved by his words on the Alexander McQueen: Savage Beauty collection, I said I must see the exhibit immediately. So, on Saturday my godson Noah and I spent the day at The Met and I must say “Hail to McQueen!”


There is no way back for me now. I am going to take

you on journeys you’ve never dreamed were possible.

—Alexander McQueen


Alexander McQueen: Savage Beauty
Dates: May 4, 2011–July 31, 2011
Location: Iris and B. Gerald Cantor Exhibition Hall, 2nd floor


So my play brother Robert phones me yesterday and invites me to the Alexander McQueen exhibit at the Metropolitan Museum of Art. I said great let’s meet on the steps at 09.30hrs. I fall out of bed, out of sugar so no sugar for my coffee--so only one cup. I get there on time and he’s not there. I phone him and he says, “Didn’t you get my message?” No I did not. By now there is a bee in my beehive despite extra Final Net. Roberts with the fashion house Escada here in NYC, and due to a client meeting could not make our museum get-together. It is raining and like that wet cat named Cat in Breakfast At Tiffany’s, I’m ready to go hide until Audrey Hepburn comes in a taxicab to collect me. At first I say forget it I’m going back home and brood, feeling slightly wilted.


Then, the spirit says to me go in and see the exhibit. Well, I did and let me tell you, my dear friends, I’ve never cried and laughed at anything the way I did this morning. Fashion is not my bag, but that Alexander McQueen was a genius and the show truly has more to do with art than just fashion haute couture. The show is huge, but some things are worth mentioning. It begins with the ostrich feature dress done up to make you holler for mercy. Then there’s the razor clam shell dress. The Jack The Ripper Stalks His Victims collection is an event in cutting that will never be matched by any cutting room floor. The Hieronymus Bosch collection is awesome. Dress Horn of Plenty from the Dante collection had me on my knees. Widows of Culloden collection made me marvel. Then, there’s this white cotton muslin dress spray painted black and yellow, under skirt of white synthetic tulle. The dress is beautiful, but the monitor above the dress plays the fashion show where the model is center stage wearing the dress flanked by two robotic arms, the kind used in automobile manufacturing. The model takes a narrative dramatic pose frightened by the machines, and the robotic arms go to work spray painting the dress in a space-age performance that brings the audience at the actual show to its knees and the audience in the museum exhibit applauding. I cried and then I laughed and then I cried some more at all the over-the-top creations.


The grand finally of the exhibit is Pepper’s Ghost. It is a genuine hologram of supermodel Kate Moss wearing a white dress that is truly indescribable. It is inspired by Edgar Allen Poe’s The Fall of the House of Usher. She’s not wearing the dress, the dress is wearing her as she does this awesome, uniquely haunting movement (dance of the spirit) that captures pure motion. I do not remember seeing her face, only the dress billowing like sea foam. The gallery space is made to resemble the Palace at Versailles but in dramaticized Gothic ambiance. The monitors above each collection of haute couture plays scenes from various fashion shows where you see the clothes in action, but there is no simple models working the runways sweetie, and this is where Alexander McQueen proves his artistic vision goes far beyond fashion. His shows are narrative dramatic Conceptual art where models act or give this Cirque du Soleil kind of performance that is awe-inspiring. Words cannot explain what I saw today, really it goes beyond description. Alexander McQueen’s Savage Beauty will haunt you and set you free. Most important it will make you glad you saw something that is so special you can have faith in the wonders of the imagination.

Let’s keep Robert in our thoughts and prayers as he leaves for his second mission to Haiti this Saturday. Robert, Bon Voyage! And thanks for Alexander McQueen. It’s just what I needed.

Best,

Troy

Monday, March 28, 2011

Body of ART

I always love to have the opportunity to admire someone's art and I really love when the art is displayed on a VERY sexy canvas. Ricardo Muniz is a very talented photographer and artist and his latest video has really been creating quite a buzz on the internet. Take a moment to admire his work and contact him to purchase your very own portrait of these sexy specimens. ABOUT Ricardo Muniz:
"Coquíchulo Images was created to provide artistic support of my own Latino community. I was a social worker and teacher working with people with severe issues for over 15 years. Before I decided to pursue my art—photography, puppetry, and body painting—I devoted myself and my work to help foster creativity and success within communities of color. I will say that my greatest work as an artist has been while working as a teacher. No job molds, shapes, creates, supports, directs, inspires and enables young people more than that of being a good and caring teacher. I made it a point to smile often as a teacher and as a social worker. I make it a point now to have fun while doing a shoot. Laughter goes far. At the end of the day, it’s not just a great shot that makes me smile: it’s looking back at the fun all of us had while creating it. For more information on the artist or the models or to volunteer your nekkid skin as a canvas for a body art project, please contact Ricardo Muñiz at coquichuloimages@yahoo.com. You may also see more of Ricardo’s work at http://ricardomuniz.solomodels.com"

Thursday, March 17, 2011

Artists-in-Residence Open Studios Simone Leigh, Kamau Amu Patton, Paul Mpagi Sepuya



Apr 10, 2011 1:00 PM - 6:00 PM
  • You are invited to visit the studios of 2010-11 Studio Museum artists in residence Simone Leigh, Kamau Amu Patton, and Paul Mpagi Sepuya as they prepare for their upcoming summer
    exhibition! This is a rare opportunity to meet the artists and get an advance look at their newest work. Conceived at the formation of the Museum nearly 40 years ago, the Artists-in-Residence Program remains central to the Museum’s mission.


The Artists-in-Residence Open Studios event is free and open to all.

Visit the event page at studiomuseum.org for more information and to RSVP

Wednesday, March 2, 2011

Arts.Advocacy+Wellness: "Besouro" - A Visually Stunning New Brazilian action movie




Besouro



I'm watching the trailer, I'm seeing stunning shades of brown, different shapes, different sizes. I'm noticing faces of anguish, faces of pain, faces of courage, faces of freedom. I'm seeing history, I'm seeing, culture, I'm seeing community, I'm seeing family, I'm seeing war, I'm seeing danger, I'm seeing rupture, I'm seeing escape, I'm seeing freedom, I'm seeing fantasy, I'm seeing art, I'm seeing life....
Mysticism, Hero, Capoeira, Condemble, Hope, Life are the best words to describe this new Brazilian made film entitled
"Besouro" -- "Beetle" in English



“Beetle” tells the “true story” of Besouro, a Capoeira master living in 1920s Brazil. The film’s title comes from the name Besouro Manganga, which is a large and dark species of maybug.
According to legends surrounding the historical figure, Besouro was known to vanish whenever he was faced with an uneven fight. This grew into the myth that Besouro had supernatural powers and could dodge bullets and even turn himself into a beetle to scare his opponents.
More grounded details on Besouro suggest he was a rebellious migrant worker who frequently used his Capoeira skills to get into physical conflicts with landowners and police. He died in 1924 at the age of 27 after suffering stab wounds from a knife.


Ku Huan-chiu serves as action director. His credits include stunt doubling for Jet Li in “The Tai-Chi Master” and “Once upon a time in China and America”, as well as recent AD work on CJ7 and “THE MUMMY: TOMB OF THE DRAGON EMPEROR”, and also “Kill Bill”.




Take a look at the clip. I hope it brings much joy and excitement to you as it did for me.
And have and A.A+Wsome Wednesday.

For more info log on to:



Tune in next Wednesday for more
Arts.Advocacy+Wellness with Cornelius Jones Jr.
Stay connected with me:
FaceBook: Cornelius Jones Jr.
Twitter: CorneliusJonesJ
FaceBook Fan Page: FlagBoy Official Fan Page of the Actor
My Ping in TotalPing.com Get Paid To Promote, Get Paid To Popup, Get Paid Display Banner