Showing posts with label Rihanna. Show all posts
Showing posts with label Rihanna. Show all posts

Monday, June 6, 2011

Rihanna's 'Man Down' Video: Experts Weigh In On Controversy


By Gil Kaufman

Like any good piece of art, Rihanna's controversial "Man Down" video has elicited a wide variety of opinions, running the gamut from condemnation for its bloodshed to praise for its attempt to grapple with the complex issue of violence against women

"It strikes me first and foremost that she is working out personal issues through her art," said Terry O'Neill, national president of the National Organization for Women, who lauded the singer's talent and stressed that she did not find the video exploitive at all.

A number of groups slammed the clip after its premiere, taking issue with the opening scene, in which a hidden Rihanna is shown shooting an unarmed man in the back of the head in the middle of a crowded train station. Viewers later learn that the act was in retaliation for a previous sexual assault.

" 'Man Down' is an inexcusable, shock-only, shoot-and-kill theme song," said Industry Ears co-founder Paul Porter, a former programming director at BET, where the video debuted earlier this week and remains in rotation.



But O'Neill said that like Rihanna's collaboration with Eminem on the "Love the Way You Lie" video — which also tackled issues of domestic abuse — "Man Down" is another example of Rihanna "trying to grapple with the multifaceted nature of violence against women as an artist. Obviously violence is not the way to solve anything and both videos depict violence. In one, it's a man who feels justified in committing violence against a woman and in the other a woman who feels instantly very remorseful in her killing." For O'Neill, "Man Down" does not cross the line into portraying violence in an effort to titillate.

"One of the main messages it leaves you with is violence breeds more violence and everyone can see that and also detect some problems with that," said Stephanie Nilva, Executive Director of Day One, New York's leading teen relationship abuse-focused organization. "I respect the fact that Rihanna is trying to draw attention to these issues, but I don't think viewers are necessarily getting healthy messages from it."

Another concern for Nilva, given the implied sexual abuse in the clip, is the underlying impression that young women who dress a certain way or go dancing in clubs are naive or should feel at risk. That too, she said, sends a muddled message about sexual assault. "What it doesn't do is open up a discussion about how men's violence is frequently about controlling women and not about violence they've experienced at that person's hands," she said.

After posting a defense of the clip, Rihanna got plenty of support from her fans on Twitter, where the comments included such sentiments as "it's really ironic how women r always exploited n videos ... we watch women be raped & murdered. Now a woman flips the coin & look!"

Another fan wrote, "You opened the eyes of all women living under a dark cloud that needed a voice. 'Man Down' is the voice. I love you." Others called it "inspiring" and praised Rihanna for tackling the issue of sexual abuse, writing, " 'Man Down' video portrays REAL situations that can happen to ANYONE! Do yoo thing ri!" Rihanna also pleaded with her fans to stop making threats against members of the PTC, writing, "We love it, they don't ... that is all, and the world keeps turning."

Given the message of empowerment some of Rihanna's fans appear to have taken from the video, Nilva noted that one of the messages Day One imparts to young people is that violence is never appropriate. "I wouldn't say that perpetrating violence against someone is a form of empowerment, just like you wouldn't say a man raping a woman is a form of empowerment," she said. "It's a complicated message to get young people to absorb that — what it means to be an empowered person — and it would be nice to see more images of strength that are not about exercising violence or power over other people."

As a survivor of relationship violence at the hands of her ex, Chris Brown, Nilva said the singer is clearly under the microscope when it comes to this topic. But given that people are likely to pay more attention to what she has to say about it because of her fame and the notoriety surrounding Brown's 2009 assault, Nilva said it would be preferable to see a more positive message from Rihanna on the topic.

O'Neill said she's confident that Rihanna's fans will understand the message of the clip because any woman who has experienced violence from a partner or acquaintance knows that among the emotions you feel in addition to anger and rage are humiliation and fear and a desire for revenge.

"Many women who have experienced violence, of course, have those feelings and this video seems to be a fictional portrayal of those feelings and is not intended to be instructional," O'Neill said, calling it a kind of catharsis for viewers. "The other aspect that is part of the message is the fact that if you act on your desire to kill this rapist, you will then throw yourself down the rabbit hole of remorse and criminal accountability and be sent to prison. There are repercussions and the video clearly says that."

At press time, MTV's Facebook poll asking whether the video goes too far had the "no" votes leading the "yes" votes by a margin of three-to-one.

Do you think Rihanna's "Man Down" video goes too far? Cast your vote in our Facebook poll and share your thoughts in the comments below.

Thursday, April 7, 2011

I love me some Rihanna!

Photograph by Mark Seliger for rollingstone.com
By Rolling Stone
March 30, 2011 8:00 AM ET
Watch Rihanna answer fan questions at her hot Rolling Stone cover shoot below.
The new issue of Rolling Stone – on stands and online in the digital archive on April 1 (subscription required) – features a deep interview with Rihanna in which she talks to contributing editor Josh Eells about her difficult upbringing, the endless rumors about her relationships and why she agreed to let a judge ease the restraining order against Chris Brown. "That's my decision," she says. "It doesn't mean we're gonna make up, or even talk again. It just means I didn't want to object to the judge."
She hasn't heard from Brown in a very long time. "We don't have to talk ever again in my life," she says. "I just didn't want to make it more difficult for him professionally. What he did was a personal thing – it had nothing to do with his career. Saying he has to be a hundred feet away from me, he can't perform at awards shows – that definitely made it difficult for him."
Other highlights from the story:
• She went through an incredibly difficult time after the Brown incident. "I put my guard up so hard," she says. "I didn't want people to see me cry. I didn't want people to feel bad for me. It was a very vulnerable time in my life, and I refused to let that be the image. I wanted them to see me as, 'I'm fine, I'm tough.' I put that up until it felt real."
• Rihanna's hit single "S&M" is semi-autobiographical. "Being submissive in the bedroom is really fun," she says. "You get to be a little lady, to have somebody be macho and in charge of your shit. That's fun to me...I like to be spanked. Being tied up is fun. I like to keep it spontaneous. Sometimes whips and chains can be overly planned – you gotta stop, get the whip from the drawer downstairs. I'd rather have him use his hands."
• Next May she's going to play a Navy weapons expert in the big-screen adaptation of the classic board game Battleship. She spent three months filming in Baton Rouge and Hawaii, including many 18-hour days on a barge with 350 people – and just one outhouse bathroom between them. "There were times I would walk up to her like, 'Are you really handling this?'" says Battleship director Peter Berg. "She would just laugh at me. She said she was really enjoying not having to drive the ship - not having to be running this huge Rihanna machine."

Tuesday, February 15, 2011

Nicki Minaj’s Branding Power Decoded


By BlackEnterprise.com

Most may view Nicki Minaj as just another rapper/singer/performer; but the multi-faceted entertainer is much more than that, she’s a bankable brand that’s only just begun to blossom. In a few short years, Nicki has influenced trends through her music and unmistakable fashion sense, and her involvement in cosmetics, television, hair and even the floral industry (Nicki has exclusive pink collection bouquets available on flowers.com for Valentine’s Day) has helped spike sales and visibility for a number of ancillary brands. Whether her detractors like it or not, Ms. Minaj is a one-woman marketing guru. BlackEnterprise.com takes a look at some of the brands the young starlet has—directly or indirectly—helped bolster by association.

Wednesday, December 22, 2010

Arts.Advocacy+Wellness: "MatchShannon.com"



A.A+W's Year-In-Review
Shannon Skye Tavarez
She touched many of our hearts and souls





Keep Shannon's Legacy Alive
Shannon Skye Tavarez


Broadway's Young Star, 11-year-old Shannon Skye Tavarez (Young Nala in The Lion King on Broadway), was laid to rest on Monday November 8, 2010. We will miss our Fierce young star, but her legacy will live on. One of Shannon's final request was to help save other kid's lives, like herself, who suffered from AML (Acute Myeloid Leukemia). Keep Shannon's Legacy alive by visiting www.matchshannon.com...Support the cause and help save lives.

Rest Peacefully Shannon...You rocked it her on Earth! Until we meet Again...






Saturday, November 13, 2010

Music Video: Rihanna feat. Drake "What's My Name?"




Rihanna has scored her eighth number one single with "What's My Name?"

Now she has released this bright and fresh new music video for the single. Her new album Loud is in stores now.





Thursday, September 16, 2010

NY Fashion Week ends at the Studio Museum of Harlem of with Andre Leon Talley



LaQuan Smith / Photo: Suzette Lee





Last night at the Studio Museum of Harlem, a special conversation about fashion and art with André Leon Talley and emerging fashion designer LaQuan Smith was moderated by the museum’s Director and Chief Curator Thelma Golden.





A 25-year veteran of and contributing editor to Vogue, André Leon Talley regularly pens a witty, pithy column called “Life with André." He also worked at Interview during Andy Warhol’s tenure. Talley regularly appears on television and in film and can currently be seen as a judge on the television show “America’s Next Top Model.”





LaQuan Smith has designed custom fashions for artists including Lady Gaga, Rihanna, Aubrey O’day, Amerie and more. Smith’s New York Fashion Week debut was held on February 15, 2010 and he has been featured in many media outlets including The New York Times, New York Daily News and Studio Magazine.

Both shared a wonderful view on fashion. Mr. Talley told the standing room only audience, “Fashion is HARD WORK, hard core work;” he continued to say, “true fashion insiders must do their homework, be patient, learn the business and live your dream.”











LaQuan’s 2nd fashion collection frenetic energy filled the Gramercy Room of the Peninsula Hotel as editors and buyers waited for wunderkind LaQuan Smith’s Spring/Summer 2011 show, entitled “A Storybook Path,” to begin. While a crush of photographers circled around rapper Common to get a shot, a gaggle of reporters rushed before Vogue’s Andre Leon Talley and designer and CFDA President Diane Von Furstenberg for a soundbite. The excitement generated so much heat, attendees fanned themselves with hot pink paper fans provided on the tables. As classical music began to play, a young lady wearing a blush pink corseted brocade jacket and matching frilly skirt came out, pursing gold lacquered lips and tottering atop Walter Steiger stilettos. The show had begun, and the air erupted with shouts of enthusiasm over the clothes–and the models themselves:











Exclamations of “Honey better work!” and “Ok!” could be heard as models sauntered out in a series of bust and thigh accentuating pieces seemingly inspired by the famously coquettish and fashion loving late 18th century Marie Antoinette. Brocade fabrics in champagne pink, deep burgundy, white, black, and electric blue were fashioned into cropped frilled tops and bodice dresses, perfectly fit for modern day princesses. Though dreamlike, as if cut from a storybook, the clothes were designed to titillate. To wit, an almost bare bottomed Jaslene Gonzalez elicited whoops of “Yes, girl,” as she worked a sheer mint green flapper dress with green plumes of feathers peeking out the bottom.





The shouts reached an almost fevered pitch as even more celebrity models emerged. Singer Cassie in a corseted gold and burgundy bubble hem dress; Deborah Cox in a Tiffany blue gilded number with an asymmetric train; Serena Williams, who closed the show, in a Bourdeaux red regal gown with exaggerated hips.





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